Everyone agrees street performing, or "busking," is hard work. Someone once said about acting, that they do not pay you for the acting, they pay you for the waiting around. That is true in busking, too. Performing talent is about 30% of a good street act. The ability to persevere under harsh conditions, to battle police and merchants over air space, to assert free speech rights at every corner as they are questioned, to spontaneously gather and hold a crowd, and to keep up with hecklers, makes the profession a die-hard one, at best. You spend little time on musical rehearsal, as compared to holding your place in line for a good spot, or "pitch," and then defending that pitch from police when they show up to shut you down. Street performing is not for the weak. And being a solo woman street performer has extra unseen entanglements, due to societal gender stereotypes.
Kirsten Anderberg, Linda Schierman, Becky Woods as Raw Sugar, 1982
You can order Kirsten's new book about street performing, including interviews with street performers about a wide variety of topics. This is a unique view of the busker world from the inside.
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